Composition as Improvisation/Improvisation as Composition.

Horne, David and Maxwell, Melinda (2018) Composition as Improvisation/Improvisation as Composition. In: Experimental Encounters in Music and Beyond. Leuven University Press, pp. 177-186. ISBN 9462701105

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Abstract

Experimental Encounters in Music and Beyond opens a necessary dialogue on experimental practices in the arts and negotiates their place in contemporary society. Going beyond the music-historical usage of the term "experimental", this book reimagines experimentation as an open working definition encompassing multiple forms of artistic attitudes and processes. The texts, images, and sounds offer multiple traces, faces, and spaces, revealing what experimentalism in music and the wider arts entails today. With perspectives from a range of disciplines—from choreography through composition to philosophy and beyond—the different experiences and artistic projects documented and discussed explore the complexity of experimentation in a way that is all the richer for being never-ending.

Item Type: Book Section
Subjects: M Music and Books on Music > M Music
Depositing User: Thomas Wise
Date Deposited: 07 Nov 2018 19:57
Last Modified: 07 Nov 2018 20:38
URI: http://repository.rncm.ac.uk/id/eprint/68

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